With Clipse set to release their long-awaited new album on July 11—yes, their first in over 16 years—I figured now’s the perfect time to revisit where it all started: their debut studio album, Lord Willin’.

Released in 2002, Lord Willin’ features production entirely handled by The Neptunes—Pharrell Williams and Chad Hugo at their prime. This is actually my first time listening to a full Clipse album, since I first discovered them through Kanye West’s “Use This Gospel.” But with a comeback this big on the horizon, I had to go back to their roots.

Right off the bat, the album delivers that early 2000s vibe—gritty boom-bap drums, crisp snares, and lo-fi kicks. It’s a sound that may feel old-school now, but it’s a snapshot of a golden era in hip-hop production.

Both Malice and Pusha T have incredibly distinct voices—grimy, aggressive, and raw. Strangely enough, they sound similar in tone, but that just adds to the chemistry. Their delivery, paired with unapologetically arrogant, drug-laced bars, is what sets Clipse apart. No one else in the game does it quite like them.

The features? Icing on the cake. Jadakiss and Fabolous especially stand out, adding even more flair to an already stacked project.

One thing I really appreciate about albums like Lord Willin’ is the clarity—you can hear every word, every line, every punch. There’s a sharpness in the delivery that’s sometimes missing in modern rap.

In short, Lord Willin’ is a strong and stylish debut that perfectly showcases The Neptunes’ peak production and Clipse’s unmistakable voice in hip-hop.

Available now on all major streaming platforms. If you’re getting ready for the comeback, this is the perfect place to start.

Because when Clipse talk, you listen—and Lord Willin’, they still sound timeless.